The Grace Period by Dan Brotzel

Dan Brotzel's character visits his father's death-bed, and faces reminiscence, reckoning, devil-worship, family scandal and custard creams. Image generated with OpenAI It is a tiring business, waiting for the dying to die. There is a lot of yawning and a lot of central heating, a lot of looking out of windows and a lot of unnecessary custard creams. In between visits to his room - where we take it in turns to lean in and try to catch a few whispered words that might well be Dad's last, and rack our brains for new nuggets of appropriate small-talk to say in reply (without him realising we can't really understand what he's saying) - my two brothers and I retire to the Living Room. Like the rest of this 'residential home' (and what kind of home, incidentally, is not residential?) the Living Room gives off the atmosphere of a fading, high-end hotel - discreetly tasteful and well-appointed, impeccable in its fittings and fixtures, but ultimately ...