Velvet Elvis by Paul Lamb

When Paul Lamb's character is relegated to the fringes of the art fair, he is determined to come up with the next big trend. I knew I'd hit bottom when they put me by the toilets. Sure, there were years when I owned the best spots: at the entrance where fair goers were fresh and flush; at the nexus where everyone had to pass to get anywhere; across from the food tables where folk sat on the rickety chairs devouring funnel cakes or undercooked brats and contemplated my paintings. I was golden. The innovator of the moment. The one everybody copied, following the non sequitur that I must be doing something right if I was so successful. I was the Young Turk of the art fair circuit. I paint Victorian ladies, in flowing dresses with bunches of lace and impossibly large hats, clutching folding fans or nosegays, often swooning on plush settees amidst aspidistras and oil lamps and framed daguerreotypes. My paintings evoke a golden age, far too distant for the shuffling fair goe...